New Secret Recipe for Gardenia Success

Gardenia jasminoides "Ruin Garden"

Coquettes all, Gardenias tease with their shiny green foliage and promise of forever; they seduce with their fragrance like silky nights on Delta shores. Only such sirens could make me bend my rule – “three times die and you’re no more”. But after trying every acid, sandy, loamy, free-draining, full sun, shady afternoon, planted high recipe I could find, I called it quits at five deaths. Not another penny did I spend on a soul-stirring Gardenia. But I failed to reckon with the two freebies on offer from a generous plant breeder.

Sinking them in a free-draining, slightly acidic, moist soil, next to our dovecote “ruin”, I recited a little Voodoo and, thinking positive thoughts, crept away lest I disturb the little beauties. They lasted through the summer, began to turn pallid come autumn, downright necrotic during winter, pushed out two new leaves this past spring, and then dropping all their leaves, died.

Skeptic or dreamer that I am, I waited until the end of April – more out of a need to scold myself with the pitiful sight of gnarly roots and branches than to encourage anything like hope – before digging up the Gardenias and starting across the creek to the compost heap. Too tired and discouraged to carry on up the cove, I stopped off at the new garden and dropped them out of sight between a red maple and a box elder stump. Maybe they’d find salvation in death, adding a little humus to the churned up splinters and mud left behind by the deconstruction of the old log barn.

A few weeks ago, I stepped outside into an August morning awash in what already felt like the sweet wine of October. In my arms I carried a tray of Carex ‘Everillo’ mixed with a half-dozen hellebore seedlings. Time to move a few more orphans from the greenhouse into the Spartan landscape I alternately called “Kim’s Annex” and the “Barnless Garden.” The axed box elder made an adequate plant table for the sedges and Lenten roses while I ruminated on where to plant them. Would the hellebores ground the spindly-legged Camellias or perhaps, better yet, skirt the raw rock wall? If wall it could be called with its lofty one stone height.

Gardenia - New Secret Recipe for Success
The Barnless Garden – New Home of Gardenia jasminoides planted with the “secret recipe for success.”



Moving the hellebores from the wall over to the Camellias and then to the Lilliputian forest of Digitalis ‘Silver Fox’, I scooted the ‘Everillos’ over on their stump and joined them to meditate upon the scene. I almost stepped on it – shiny green-leafed twin to the one at its side, both throbbing with rude health and vitality. They – still holding the shape of their late black plastic pots – sat poised atop the ground, side roots exposed, just as I’d dropped them months before. Except for all that burgeoning life.

I’ll keep my expectations low. See how it goes. I doubt I’ll ever see a bloom, but I’ll settle for life. Maybe, after all, I stumbled on a new recipe for cultivating Gardenia jasminoides. If, I can stop myself from throwing a little soil over those roots.  If, I can restrain my urge to treat them to just a little water. If, I can keep my interfering, gardening hands to myself. And if, pigs can fly.


The image above – The Ruin Garden where the Gardenias, sad and forlorn, wasted away to nothing.

Lost Gardens, Lost Plants

Beautiful foliage makes a garden.

Out in the garden this morning, I’m administering last rites to first one winter weary tree, then another.

Rain and snow and sub-freezing temperatures assaulted us here in the southern Appalachian foothills for the entire month of January. February brought record rainfalls. Bad enough the days and days of unrelenting cold and rain, but then the roller coaster ride began. And for three months the garden couldn’t tell from one day to the next if it was July or January.

Out the kitchen door, I follow the gravel path to the old iron gate and step through. Up on the back porch our dogs, Dinah and Charlie, critique my progress. The katsura tree looks heavy with dew. Like an aspergillum a branch dips, sprinkling droplets, baptizing Dinah’s head. Planted fifteen years ago as a four-foot sapling, we now look up at it from our second story, this Cercidiphylum japonicum – the epitome of grace in ascending layers. Witness to our first katsura, maturing in the Gardens of Reynolda in Wake Forest, North Carolina, we bought one on our way home. In the years since, it has become a familiar and beloved part of this place. Only a little frazzled from the last late frost, it looks good.

Beyond the katsura’s reach the sun shines on this back garden for five hours of each day, in spots maybe six. I stop, surprised by an unlikely casualty, deserving of a moment’s silence. Bought as a pair three years ago in a “Fall Bloomers Crepe Myrtle” sale, the gallon-sized Lagerstroemia x ‘Natchez’ twins looked like the before in the old Charles Atlas ad from the 1950’s – pale and spindly and afraid of a fight. Planted three boot strides apart to frame a bird table, the two ‘Natchez’ settled into their new home of loamy clay, made more porous with streaks of leveling sand left over from a septic tank excavation years before our time here. I don’t recall much about the day I planted them, other than it was early fall still miserable with summer weather – bone dry but muggy with gnats. The crepes received the initial standard soaking followed by weekly ministrations until winter arrived to take over. I left them to it.

At the onset of this last winter, they stood over six feet tall – more than double their original size – but still too young, yet, for their trunks to turn sinewy with the glossy burgundy coloration of their Lagerstroemia fauriei parent.

Anyone familiar with crepe myrtles knows it’s a struggle to kill one save with an ax. But on my reconnaissance, I find one of the pair still bare, its limbs dull, the life force surrendered.

I move on.

Two springs back in the buying frenzy of the Arboretum plant sales, I lost control, yet again. Numbered among my acquisitions were a Magnolia virginiana var australis ‘Mardi Gras’, the lustrous green leaves rimed a chartreuse gold; a Cestrum parqui to perfume the hours before dawn; and a Magnolia figo, the banana shrub, zone 7’s all. In the border skimming the creek, only the figo shows signs of recovery, pushing out three lovely, trembling leaves. A blessing in the winter with their “ever greenness”, these magnolias suffer in its icy winds, losing precious moisture through those evergreen leaves. I thought I’d done well siting them all, studying our sloping, undulating terrain, gauging the fall of sunlight, the protection from late frosts. Looks like I got it wrong.

Looking out to Kim’s Garden beyond the blue bench, I see the camellias – so often prima donnas in this garden – have survived and are putting on new licorice-red growth.

I save until last my two, long-coveted, botanical gems. ‘Perfume Princess’ droops, forlorn, denuded but not yet withered. On trial in the garden, the Daphne odora, a new from Tesselaar Plants, was bred by New Zealand’s renowned plant breeder, Mark Jury. It has already survived two winters with little damage, blooming sporadically throughout, exhaling its magical fragrance. But none of us were prepared for the chaotic extremes of this last wintry season. I reach for a stem to check for flexibility, but stay my hand. I don’t want to know – not yet.

And now I approach my Melianthus major ‘Artonow’s Blue.’ Bought just last year, it spent the summer enchanting us all. Each morning, I’d walk out the back door and see the dew pooling in its magical, crenelated leaves – the dew being the extent of the moisture for much of last summer. I think it was the third late-winter temperature soar and plummet when it gave up, dropped all its leaves, the stone wall at its back failing in its promised protection. No longer able to face the skeletal remains of the honey bush, I cut it down. Now I’ll wait. See if it will sprout from the roots.

I stand and look toward the cypress grove. Clematis ‘Polish Spirit’, performing somersaults, sprints to the top of the arbor. I walk through and glance down to the stump belonging to Ficus palmata ‘Icebox’. ‘Artonow’s Blue’ all over again.

But for every tree or shrub or perennial lost – Clematis ‘Pilau’, Dierama ‘Blackbird’, Rosa ‘Desdemona’ – I see a dozen survivors.

The contorted hazel, whose buds looked like tiny fists refusing to open after their first aborted attempt two months ago, now stands half-dressed in glossy green leaves. And the Magnolia sieboldii ‘Michiko Renge’ – the Japanese Empress, the lotus flower – greets me fully leafed, its fourth resurrection proving successful. Michiko’s one remaining flower bud hangs mummified.

Most of those lost had been in the ground less than three years, proving the vulnerability of youth, the resilience of maturity. Having the experience of my own maturity, I’ll wait before I bury my dead, give them the summer, maybe longer. And if those left standing can’t quite muster another revival, I’ll resurrect them with a coat of purple paint – colorful sculpture for winter.

In the meantime, I’ll go inside and order another Melianthus, another ‘Arnow’s Blue’ as it is purported to be a little hardier than the straight species. Then I’ll come back outside on the hunt for the “perfect” location to plant it. I read that it needs to be planted three to four inches below the soil line. Before it arrives I’ll study on it, do a little research.


Melianthus –     Digging Dog Nursery

Cercidiphylum japonicum –     Mr. Maple

The Language of Flowers

Love and Memories in the Language of Flowers


In the Language of Flowers my grandmother would have been a cactus. If dour sprung from a turnip, or burdock represented intractable, then her nosegay would have been composed of a prickly pear, a purple top and dock. Or, this is what I thought for a time, for a season, or two.


The rain tracked westward dragging in its wake a breeze spiced with resin. Sitting in lawn chairs rendered shabby chic by hot sun and one too many tropical storms, my mother and I swatted at yellow flies. Slash pines sketched the ground in Whoville shadows, bruising our faces in their retreat from the silvered hide of my Grandmother’s Airstream trailer at our backs.

Clamoring for our attention, orange and yellow marigolds screamed at each other across a stage of root-muscled earth. Pink and purple Petunias pranced like kindergarten ballerinas against a curtain of saucy Caladiums while fiery Zinnias, red-hot pokers and bloody cockscombs cackled their bawdy jokes from the wings. A lone pink waved from a crack in the cement slab beneath our feet.

Two dogs, out for a day of socializing, trotted toward a triple row of black-eyed Susans hedging the show. As if finding the dare , they checked at the corner, looked toward the trailer and launching themselves over the Rudbeckia set off at a dead run; just beyond good rock-chucking distance. Sailing across to the other side, they skidded to a stop, glanced back, moved on, another afternoon meander.

It was a Sunday. Prayers were winding down for my grandmother at the church across the field.

I inhaled the soft southern air and, tilting my head toward a bucket of morning glories sprawling at my feet, asked, “Mom, where in the world did all this spring from?”

Beneath her dun-colored bonnets my grandmother looked out upon a world sorely in need of a good shaking. In her presence I slunk; we all did, hunkering down out of her sight line. Granny loomed to Biblical proportions in a body barely five feet tall.

In her yard pine needles fell with an apology. If she’d felled everything within her domain and dared it to re-sprout, no one would have been surprised. And, yet, here we were ankle-deep in flowers.

“Did Granny have a garden? When you were a little girl?”

My mother looked over at me. Opened her mouth. Closed it. Squinted. Sought an answer in the tall pines. Dropping her eyes to her hands, she began to worry at a honeysuckle stem.

“You know, it was on the tip of my tongue to say all my Mama ever gardened was cotton, peanuts and Dominecker hens. But…” She hesitated, sifting through memories. A car door slammed over at the church across the field.

“I remember the house yard. Had a wire fence around it. Mama used to sweep it with a gallberry broom, punishing it down to bare clay. By the time she passed the broom on to me, the ground next to the fence rose up a good 18 inches higher than the middle; kind of like a dirt farmer’s version of a HaHa.” My mother dropped the stem and popped off a bloom, held it to her nose.

Memory picking, my Mother sorted, discarded. She looked at me. Slowly, light like an Easter sunrise flushed her face, and she began. “But out back, between the smokehouse and the clothesline, there was an old syrup kettle she used to boil our clothes in on wash day. I remember sitting on the edge of it with Jessie picking a bouquet from the flowers planted inside. Four O’Clocks?” She shook her head as if to rattle free their identity.

“Anyway, around the outside of the kettle was a circle of more flowers. Reds and purples, pinks. And then around that Mama’d laid out these bricks.

“And there was a fig tree. We’d play like the leaves were our dinner plates. And Jessie, just a little bitty girl, would scramble up to the top to pick the biggest, prettiest ones. Sometimes we’d lie under it with a leaf laying over our faces, our arms folded over our chests.” I watched a dove shuffle among the pine needles, heard another car door slam over at the church.

“There was a rose, too, climbing over the smokehouse, so burdened down it looked like it might buckle at the knees. The flowers were yellow, like sunshine. Mama called it her ‘Lady’. And another rose looked like a ball gown. Blooms always reminded me of that verse. You know. ‘Of cabbages and kings’”. My mother’s voice was a whisper now.

“There was a bush at one end of the clothesline. She kept it pruned so it looked like a giant toadstool. The line pole shot straight up out of the middle. Mama said it was a tea shrub. The clothesline seemed always full of dungarees, socks, dresses and the like, but the sheets she spread over her tea shrub.” My mother, she’s eight years old, again, lying beneath a fig tree. Her mother sails a sheet into the wind, flicks, holds tight, wins the tug-of-war. It settles to dry atop a mound of green.

“We saw it bloom once, me and Jessie. One flower. Blood red. We didn’t say a word, not even to each other; afraid Mama’d be out there with the cutters. But, come wash day she just tucked the sheets up around that flower, like a blanket around a baby.”

A hawk’s cry jarred the silence. Mom tracked its flight across the sky, her gaze tangling high in the pines. From the church I could hear the sound of a car crunching across gravel, voices.

“On the day Jessie fell I couldn’t find Mama at first. Finally come across her kneeling next to the clothesline. I’d run all the way from school and I couldn’t catch my breath to tell her. Joe come up behind me said ‘Jessie’s hurt.’ One minute Mama was there, the next I was standing all alone staring at a bucket full of wood’s dirt. A coffee can lay next to it with this little bitty vine spilling out, roots all naked and the sun baking down. I set it back in the can, pushed some dirt around it. I still remember the smell, earth and roses and smoky ham.

“Jessie died on a Sunday.”

Memories ended as the ring of bells and the heat from the sun cut through the pines. Noon. We both looked over at the church. I saw my grandmother, a metaphor for the live oak that humanizes so much of our deep south – limbs gnarled, stooped toward the ground by a lifetime of troubles; the Spanish moss swinging from its branches a color match for her thinning hair. She started across the field stepping high, and I thought of the resurrection fern that inhabits the nooks and crannies of the live oak. As she plowed through the fennel weed, lingering rain darkened the hem of her Sunday best.

The following January, weary from her ninety-eight years and another winter, my grandmother left her garden for an eternal spring.


My sister parked out front under a Chinaberry tree. The two of us climbed out of the car, followed by my daughter, Kim. We waited. My mother needed a little time. The house where she grew up, where her little sister died, where a little garden grew out back between a clothesline and a smokehouse, still stood on the land my uncle bought with the ashes of his conscience. But the house had become a kudzu-shrouded shell, rusting tin curling gap-toothed to the sky.

Listening for squeaks of surrender, we picked our way across the front porch boards. Inside, a well of gloom haunted us across the floor. Bricks had tumbled from the fireplace, scattering the smell of soot and sorrow. Cobwebs swung from the rafters.

Accompanied by muffled scurrying, we shuffled across shifting beams and stepped off the back porch to a flurry of crows. Thirty feet to the south lay a jumble of old poplar boards rendered in hickory smoke and brine. Across an echo of purples and pinks, bouquets and laughter, a wizened crone of a fig tree threw up lichened branches to grip a post, axed by rot. From the half-dozen leaves still clinging to a stem, I recognized Granny’s tea tree – a Camellia sasanqua, variety known only to the past.

Thirty years since my grandmother left us, and I wonder in this fickle spring if in an Alabama field a Camellia still lives in a fig tree’s embrace.


There are gardens open to us of such a strong sense of place, they connect us, not only to our pasts, but to who we are now:

Gibbs Gardens – Ball Ground, Georgia

Chanticleer Garden – Wayne, Pennsylvania

Cheekwood Estate and Gardens – Nashville, Tennessee

Winterthur – Winterthur, Delaware


And books that tell us of the elements in the making of such a garden:

The Gardens of Arne Maynard and Gardens with Atmosphere by Arne Maynard

Home Ground: Sanctuary in the City by Dan Pearson

The Morville Hours by Katherine Swift


A White Oak, a Cypress Grove and a Flawed Miracle

Startled from winter’s dark torpor by a thump worthy of a Hagrid, we looked at each other and rose to face what waited outside in the night. The beam of our flashlights swept the path leading from the kitchen to the back garden and caught an opossum poised for escape. Fat though he was on grubs and bird seed, he was too pint-sized for a sound the magnitude we’d heard. Slipping to the kitchen’s side doors, John flipped on the light and aimed his torch down the walk, through the pergola to a scene straight out of our own personal Dark Forest. A cataclysmic force of nature as told by the Brothers Grimm, carrying with it a miracle, flawed but full of magic and grace. Slain by merciless rain and implacable gravity, a massive white oak tree slumped dying across a hundred feet of garden, its massive roots pawing at the wind on the other side of the creek. Its branches, broken and twisted, now lay at our feet, inches from the arbor clothed in ‘Polish Spirit’ longing for spring.

With only a whimper of light to mark our way, we passed down the length of our fallen oak. Out there in the dark, in the path of the great tree, lay the fate of others, wonders all, that I’d planted one by one over these last years. I swung the torch westward and illuminated the Magnolia ‘The Woodsman its fattening buds trembling but intact. Feeling my way, I encountered the slender branches of the young Magnolia pyramidata, all there and accounted for. John swept his flashlight right, then left. The grove of cypress appear unscathed. At last I turned east and looked for the winter bones of my Hovenia dulcis, my Japanese Raisin tree, bought in part for the poetry of its name, and found it still whole and beautiful in this its seventh year. I exhaled. On the way back, I almost stumbled over a small Cryptomeria japonica ‘Black Dragon’, wounded, mutilated – this miracle’s dusky side.

Before surrendering to the torrential storms of this past chaotic winter, the oak had clung to the lowest slope of a wooded hillside that climbed at a roller coaster pitch, teaching a lesson in the tenacity of trees. With the onset of the colder months, the sun sinking ever lower in the sky skirted the ridge line, flashing through the forest of beech, oak, poplar and redbud in a teasing memory of summer and a promise of spring. Along with me the trees dwell in a season of gloom. I wonder if they dread it as I do.

This land has been farmed for close to two-hundred years, tilled first by a moldboard plow behind a team of mules. In the first half of the previous century, mechanization arrived in the hills of Tennessee and a Ford 8N began the circuit of this particular three-acre parcel – year after year – forming a berm like a cresting wave along the creek bank. Thirty feet to the north, the land begins a gentle slope skyward, turning a worn out tobacco field into a swamp.

Our first year we cut drainage ditches that silted full by autumn. We dug again year two. Year three found me standing in water lapping over the toes of my Wellies, contemplating removing the “lip” from three-hundred feet of creek bank bordering the worst of the flooded area. There, fueled by aggravation, bloomed an epiphany. I’d plant Taxodium distichum, a reminder of a childhood spent playing in the cypress bogs of my deeper south.

We planted eight – bareroot, four feet tall. Topping eight feet by their fourth year in the ground, they were already making a difference, their roots soaking up excess water. After a rain days of standing water turned into a few hours. We planted another eight two years ago.

Now on either side of the downed oak, our grove of beautiful cypress trees stood firm – trunks spreading like buttresses, “knees” popping up around them.

Making hay while the sun shone, John revved up the chain saw and cut the oak trunk and larger branches into eight foot sections, stacking the kindling-sized debris in temporary piles for the wrens, chickadees and finches to enjoy. From the confusion of branches, I eyeballed a selection, four to five-inches in diameter, and rolled them into the edging divots I’d made along the garden where I’d extended the beds – yet again. Contributing even in death, the oak would last until I could come up with a more permanent solution, leaving behind its spirit as compost for the soil.

Connecting the ancient roadbed across the creek to the cypress grove on this side, the last of the great tree rests. Almost three feet in diameter, it will remain. A bridge to the other side.



Taxodium distichum –

Hovenia dulcis

Finding the Uncommon Fruits Among the Natives

The road was a two-car squeezer of yellow clay captured between ditch banks three-feet high. Yellow clay produces a prodigious amount of dust, and every summer of our childhood my brother and I, feet bared and toughened, kicked our share of it on the lookout for wild plums. My mother called them Bullaces – a name left over from our English roots and the small black plums originating there – as she picked her own supply for jam making. Still another name for the small red and yellow fruits of Prunus angustifolia is Chickasaw plum. But wild plum or Bullace, the names still evoke in me those late, sultry afternoons and the burst of sweetly tart juice running over my tongue. By the time the lightning bugs came out, we’d be grubby and sticky, fighting off the yellow jackets, our stomachs distended with the sweet ambrosia offered along a country road.

Blooming on old wood, the small, white, fragrant blossoms of the native Chickasaw appear before the leaf, looking as if tiny white butterflies were celebrating spring. Hardy in zones 5 to 9, it adapts well to a wide range of soil types, requiring little maintenance once established. Not picky, it can grow in full sun or part shade.

Grown as a small tree (to twenty feet) with its slender, spreading branches and glossy mahogany bark, it makes a lovely addition to a wildlife or fruit garden. But I like it best growing naturally in a thicket or in a mixed native hedge where the flowers blanket the trees in spring and the small red fruits look like baubles for Solstice in late summer.

     Prunus angustifolia provides nesting sites for songbirds and game birds – mockingbirds, bobwhites, brown thrashers. Prairie chickens and domestic fowl find sanctuary inside its thickets.  And small children on long ago afternoons of plum picking might just be able to share the bounty with a curious and hungry deer.

For me it was the Chickasaw plum, for my daughter it was the persimmons off my mother’s tree.

My mother’s persimmon, the native Diospyros virginiana, grew at the corner of their house. Becoming pudding-like when ripe, the fruit would drop from the tree onto the driveway, providing a feast for a little girl and the squirrels chattering above. Once common in valleys and on upland plateaus across the Eastern and Central U.S. south of the Great Lakes, it’s less known now.

When we first moved to our farm in the foothills of the Appalachians, we found a persimmon tree growing alongside the footbridge spanning the creek behind the house. That first year, we watched its fruit turn from green to yellow to amber, anticipating the honey sweet flesh of this “Fruit of the Gods”. One morning we looked out to find the tree stripped. Not one persimmon left hanging. From up at the barn, we heard them – the flock of turkeys that roost in the Beech woods. They sounded sated, full of ripe persimmons.

Although not as high in nutrients as our native Diospyros, many of the Japanese varieties of Diospyros kaki are small enough to be tucked into a border or anchor a corner of the house. At only 10 feet ‘Ichi Ki Kei Jiro’ is self fertile – unlike the native that requires a male and a female – and the fruit can be eaten while still firm. And maybe you’ll stand a better chance against marauding turkeys, or squirrels, or deer or a little tow-headed girl.

Do children still sing “Pickin up Pawpaws. Put ‘em in your pocket”? At six, I didn’t have a clue why I’d want to be picking up something called a pawpaw; so when my class stopped weaving in and out between our desks, I asked my teacher. She just looked at me. But books are marvelous things. I found out it’s the largest edible fruit native to the United States. Years later, I saw my first pawpaw tree, Asimina triloba, growing beneath a canopy of oak and beech. Looking almost tropical – although it’s hardy to zone 5 – it’s a small tree with large drooping leaves and rich purple flowers.  From a collector in Tifton, Georgia comes a variety called ‘Mango’, its yellow flesh tasting like…yeah, mangoes.

For this native you’ll need your best soil – fertile, moist but well-drained. And you’ll need at least two for pollination in order to reap the benefits of the luscious, three to five-inch fruits, tasting of banana laced with a hint of mango. High in calcium, magnesium, phosphorus, potassium, amino acids and a number of vitamins, the nutritious fruit can be shared in the early fall with deer, raccoons, opossums and most song birds. Although the native can reach a height of thirty-five feet, the hybrids, Shenandoah and Allegheny, top out at fifteen.

Growing naturally in creek bottoms and along riverbanks beneath stands of hardwoods, the native mayhaws, Crataegus opaca and Crataegus aestivalis – too long in the shadows – deserves its day in the sunny garden. A member of the hawthorn family, it is to me, the most beautiful of that distinctive tribe.  In spring the tree bursts into bloom, becoming a blizzard of white blossoms, the anthers tipped in wine. The bees gather in a frenzy of pollination. In early summer the clusters of small, red berries look like garlands on an early Christmas tree, a treat for wildlife. High in Vitamin C, potassium, calcium and beta-carotene, it makes the finest jelly in the country. Just ask the folks of Colquitt, Georgia – Mayhaw Capital of the World.

Check out the website for a thoroughly enjoyable read on the particulars of the mayhaw.

As gardeners we know the benefits of planting native fruits, nuts and berries – nurtures wildlife, the environment, our health – and apples and blueberries have long been part of our landscape. But get a long time gardener or grower talking about the fruit and nuts he grew up eating. You won’t hear a list of benefits. You’ll hear stories. Weaving itself through our memories, our histories, the natural world binds us to our human selves and to each other – if we participate. And what better way to do that than to plant a little orchard of uncommon natives in the garden.

But what about those wild plums? They’re about kicking up dust on a country road, juice dripping off my chin. They’re about childhood and family and beauty and truth. Late last winter I planted my first in what I hope will be a grove of Chickasaw plums out near the chicken house. It bore one plum, plucked at peak ripeness by one of our resident Cardinals. This morning, its bloom buds near bursting promise a crop just big enough to share. And my Alabama ditch bank? Only a memory paved over by progress.


Edible Landscapes, Afton, VA –

Ison’s Nursery and Vineyards, Brooks, GA –

Stark Brothers –

Just Fruits and Exotics, Crawfordville, FL –

Blooming now – HelleboresSAM_2194